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  • Taken by Gene Lester 1954

Taken by Gene Lester

1954

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  • The Seven Year Itch 1955

The Seven Year Itch 1955

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  • Taken by Sam Shaw   NY, Central Park, 1956

Taken by Sam Shaw   NY, Central Park, 1956

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  • Marilyn & Joe DiMaggio. 1954

Marilyn & Joe DiMaggio. 1954

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  •  You know, more than anything else I’d like a place where I could set a nice table with candles and with my own guy. I want to be Mrs. Average but people don’t believe me. By MARILYN MONROE

 You know, more than anything else I’d like a place where I could set a nice table with candles and with my own guy. I want to be Mrs. Average but people don’t believe me.

By MARILYN MONROE

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  •  Feel what I feel within myself - that is trying to Become aware of it Also what I feel in others Not being ashamed of my Feeling, thoughts - or ideas Realize the thing that They are. By MARILYN MONROE (1959)

 Feel what I feel within myself - that is trying to Become aware of it Also what I feel in others Not being ashamed of my Feeling, thoughts - or ideas Realize the thing that They are.

By MARILYN MONROE (1959)

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  • Taken by Milton Greene. 1954

Taken by Milton Greene. 1954

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  •  Taken by Earl Leaf. 1950

 Taken by Earl Leaf. 1950

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  • 1960 Her mother-in-law. Ethel Dougherty, did not approve of this new career, so Norma Jeane moved out of the house they were sharing. She joined the Village School, a modeling agency in Westwood, and by the spring of 1946 her hard work had landed her on the cover of thirty-three magazines, including U.S. Camera, Parade, and Glamorous Models.

1960 Her mother-in-law. Ethel Dougherty, did not approve of this new career, so Norma Jeane moved out of the house they were sharing. She joined the Village School, a modeling agency in Westwood, and by the spring of 1946 her hard work had landed her on the cover of thirty-three magazines, including U.S. Camera, Parade, and Glamorous Models.

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  • Taken by Bernard of Hollywood. 1946

Taken by Bernard of Hollywood. 1946

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  • The Misfits 1961

The Misfits 1961

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  • 1955  Commenting on the design, Marilyn told Modern Screen, « “I’ve always admired { Oleg Cassini’s } taste and imagination in women’s clothes, and my gown is no exception. It fits snugly down to my knees and then flares out, in the Lillian Russell tradition.” With a straight face she added, “It plunges somewhat in the front, but not extremely.” One fan magazine declared the gown “the most risque design of the year”.

1955 
 Commenting on the design, Marilyn told Modern Screen, « “I’ve always admired { Oleg Cassini’s } taste and imagination in women’s clothes, and my gown is no exception. It fits snugly down to my knees and then flares out, in the Lillian Russell tradition.” With a straight face she added, “It plunges somewhat in the front, but not extremely.” One fan magazine declared the gown “the most risque design of the year”.

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  • Photo taken by Richard Miller.1946

Photo taken by Richard Miller.1946

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  • Photo taken by John Florea. 1953

Photo taken by John Florea. 1953

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  • “The studio people want me to do “Good-bye Charlie” for the movies, but I’m not going to do it. I don’t like the idea of playing a man in a woman’s body — you know? It just doesn’t seem feminine.”  ( By MARILYN MONROE, on turning down a role )1952

“The studio people want me to do “Good-bye Charlie” for the movies, but I’m not going to do it. I don’t like the idea of playing a man in a woman’s body — you know? It just doesn’t seem feminine.”  ( By MARILYN MONROE, on turning down a role )1952

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