Born Norma Jeane Baker on June 1, 1926 in Los Angeles, Marilyn Monroe became one of the most celebrated film personalities of her time. Though much has been made of Marilyn’s personal history, her life was the classic show-business tragedy. Stardom seemed a burden; being an international sex goddess, even more so.
In 1946 she decided to change her name to Marilyn Monroe. Her career was launched with a role in All about Eve in 1950. In 1953 she married the baseball icon Joe DiMaggio. In 1956, after her third marriage to playwright Arthur Miller, Monroe struggled to understand theories of acting and wanted to star in the classics. When this effort proved fruitless, she became so difficult to work with that she was virtually unemployable. She was recklessly spoiled and unsure and was barely able to complete even the briefest scene between breakdowns.
Yet in the handful of comedies in which she starred her ebullience and freshness transcend her limitations: Gentlemen Prefer Blondes (1953), How to Marry a Millionaire (1953), The Seven Year Itch (1955), The Prince and the Showgirl (1957), and Some Like It Hot (1959). She also performed competently in two dramatic roles, Bus Stop (1956) and The Misfits (1961). Monroe longed to be taken seriously as an artist but her work was neither original nor very interesting.
Among the many books written about her, Norman Mailer's biography, Marilyn (1973), made headlines in its own right. Miller's play After the Fall (1964) is the playwright's veiled interpretation of their tense, unhappy marriage.
She died on August 5, 1962 from an overdose of sleeping pills, possibly a suicide, at a young age of 36.
"The truth is I’ve never fooled anyone. I’ve let people fool themselves. They didn’t bother to find out who and what I was. Instead they would invent a character for me. I wouldn’t argue with them. They were obviously loving somebody I wasn’t. When they found this out, they would blame me for disillusioning them and fooling them.”
– Marilyn Monroe"
"Everybody is always tugging at you. They’d all like a sort of chunk out of you. I don’ think they realize it, but it’s like ‘grrr do this, grr do that…’ But you do want to stay intact—intact and on two feet."
"I knew I belonged to the public and to the world, not because I was talented or even beautiful, but because I had never belonged to anything or anyone else."
"With fame, you know, you can read about yourself, somebody else’s ideas about you, but what’s important is how you feel about yourself—for survival and living day to day with what comes up."